So, some of you know about tanuki statues– (here’s a brief description)- you see them in front of Japanese restaurants and bars. They’re kinda gimmicky in a charming way.
I have a friend that I’ve known for over 30 years who traded me this fellow. He’s had it since he was stationed in Japan during the mid-60s and (as far as I can tell) is stoneware from Shigaraki (ESE from Kyoto).
I think this one’s a relatively handsome example (about 19″ tall) and not quite as ‘pie-eyed’ and cutesy as some touristy tanuki statues (there are female ones, anime ones, hello kitty ones, etc.).
I hope that he (obviously) will bestow luck upon his new namesake business.
I have very limited space to print as you can see. It’s doubles as my office at the university and is a mess most of the time. I hope that someday soon, I can locate to a studio where I am not falling over stuff- or stuff falling on top of me.
As you can see, I have pretty much all I need except space and time… I am presently building a forced-air print drying press (from a conversation I had in Hawaii with the gracious Paul Binnie)- details to come on that [UPDATE: here is the print dryer post]…
I’ve always loved senjafuda.Senjafuda (in Japanese- literally “thousand shrine cards”) are taken by travelers and pilgrims where they are pasted on rafters and posts. They don’t look as junky as you might expect- much better than graffiti IMO.
Making and collecting senjafuda (some are quite spectacular) is very popular thing to do in Japan. As an artist, they’re very convenient to make- you have some left-over wood? Perfect. Some extra paper scraps? A piece here a piece there, and voilà!
I plan to use this as a demonstration and simple print for my printmaking students to start mokuhanga. The idea is to print around 200 (this test batch is only 14) to bring and give away at my IMC2017 Mokuhanga Conference talk at the University of Hawaii in late Sept. Shhh! it’s a secret surprise…
Technically, it’s obviously a 3-color print- actually 5 impressions as the red and black are over-printed. I took a hint from Mokuhankan’s print parties in Asakusa and printed the black keyblock last- that keeps the lighters colors clean! Normally, the black keyblock is printed first, but sometimes the black bleeds into the later lighter colored blocks resulting in a dingy mess.
As Thomas Edison said: “There are no rules here- we’re trying to get things done”.
Incidentally, I’m using ‘black hole’ sumi or sumi no kaori (literally “scent of carbon”?)- anyway it’s velvety-smooth-nano-vanta-fiber-crow-in-a-coalmine-event-horizon bahahalackkkk! If you’re interested in buying this glorious stuff, the only place I could find is a calligraphy shop in France of all places. See: Comptoir de Secritures
I received something wonderfully unexpected- apparently, our intrepid mascot is a world traveller. A past art student of mine, Caroline Welsch carried a Tanuki Prints sticker to Paris on her trip and was nice enough to position him, well, you know where this is.
Tanuki is good luck, that is, if you have a drink with him, Caroline!
FYI, for every print purchased, you’ll receive a Tanuki Prints sticker- I’d love to see him travel from each and every corner of the globe!
I know he’ll be in Japan come May.
For more interesting facts about the actual and mythical Tanuki, or the Japanese racoon-dog, click here