In total, the print required eleven blocks and about 14 impressions. I will post a detail after they’re finished drying. Using the overlapping shin-hanga printing style was a challenge. It was interesting to print complementary colors (on opposite sides of the color wheel) to create neutrals such as shadows. This experience will certainly help me to plan the next prints.
I plan to have both the Django and Qufu prints (along with some etchings) at the SGCI conference in Atlanta.